|
BIOGRAPHY Born 1963, Gföhl, Lower Austria Lives and works in New York since 1993 |
| Education (selection): | |
| 1993-95 | MFA Computer Art, School of Visual Arts, New York, NY, USA |
| 1988-91 | Diploma in Electronic Music, Music Academy, Vienna, Austria |
| 1988-90 | BA in Composition, Music Academy, Vienna, Austria |
| Awards and Scholarships: | |
| 2002 | State of Lower Austria Media Art Award, St. Pölten, Austria |
| New York Foundation for the Arts, Award for Architecture & Environmental Structures, New York, NY, USA | |
| 1999 | WNET/Channel 13 Reel New York.Web Award, New York, NY, USA |
| 1998 | International New Media Design Festival, Honorable Mention - category Internet Art, Parsons School of Design, New York, NY, USA |
| 1996 | Ars Electronica 96, Honorable Mention - category interactive art, Linz, Austria |
| 1995 | Institute for Computers In The Arts Award, New York, NY, USA |
| MaxHibition ’95 Festival, Honorable mention - category CD-ROM, New York, NY, USA | |
| 1993-95 | Fulbright Scholarship for MFA-studies at School of Visual Arts, New York, NY, USA |
| 1992 | City of Vienna Award for Composition, Vienna, Austria |
| 1991 | State of Lower Austria Award for Composition, St. Pölten, Austria |
| 1988 | Award for Composition of the "Erste" Bank, Vienna, Austria |
| Residencies: | |
| 2003 | Chinati Foundation Residency, Marfa, TX, USA |
| 2000 | Art/Omi Residency, Omi, NY, USA |
| 1999 | Center for MetaMedia, Plasy, Czech Republic |
| 1997-98 | P.S.1 Studio Residency, P.S.1 Contemporary Art Center, Queens, NY, USA |
| Internet Projects: | |
| 1997 | you me and |
| truth is a moving target | |
| Solo Shows: | |
| 2006 | Shirlington Public Library, permanent installation, Arlington, VA |
| Conduit Gallery, Dallas, TX | |
| University of Washington Seattle, permanent installation, Seattle, WA | |
| 2005 | Plug-in Institute of Contemporary Art, Winnipeg, Canada |
| Anthony Grant Gallery, New York, NY | |
| Conduit Gallery, Dallas, TX | |
| 2004 | Häusler Contemporary, Munich, Germany |
| Riva Gallery, New York, NY, USA | |
| LILLE 2004 - Capitale Européenne De La Culture, Lille, France | |
| 2003 | 125 Maiden Lane, permanent installation, New York, NY, USA |
| 2002 | Riva Gallery, New York, NY, USA |
| Austrian Cultural Forum New York, permanent installation, New York, NY, USA | |
| Calvin Klein Store, temporary installation, Madison Avenue/60th Street, New York, NY | |
| 2001 | Florence Lynch Gallery, New York, NY, USA |
| 2000 | Galerie Stadtpark, Krems, Austria |
| 1999 | New Jersey City University Gallery, Jersey City, NJ, USA |
| 444, Apex Art C.P., New York, NY, USA | |
| 1998 | Austrian Cultural Institute, New York, NY, USA |
| 1995 | Blau-Gelbe Galerie, Vienna, Austria |
| Group Shows: | |
| 2006 | artintime, Sumi, New York, NY |
| Switching Worlds: Desires and Identities, Austrian Cultural Forum New York, New York, NY | |
| Backdrop, Bloomberg Space, London, UK | |
| 2005 | Spielzeit ("Playtime"), Berliner Festspiele, Berlin, Germany |
| Lichtkunst aus Kunstlicht ("Light Art from Artificial Light"), ZKM, Karlsruhe, Germany | |
| Postmediale Konditionen ("Post-media Conditions"), Neue Galerie, Graz, Austria | |
| Ecstasy: In and About Altered States, LAMoCA, Los Angeles, CA | |
| Lights on Tampa, Tampa, FL | |
| 2004 | MATRIX XIV, permanent installation at new Bloomberg LP headquarters, New York, NY |
| Licht! ("Light!"), Berliner Festspiele, Berlin, Germany | |
| Exit, Creteil, Paris, France | |
| Borderline, Mauberge, Paris France | |
| 2003 | What the Whitney Don’t Know, TAG, Brooklyn, NY, USA |
| After Image, Wood Street Galleries, Pittsburgh, PA, USA | |
| In the Gloaming, Sculpture Park "The Fields", Omi, NY, USA | |
| LIMINAL, Hampden Gallery, University of Massachusetts, Amherst, MA, USA | |
| Art Chicago 2003 - Special Project by Creative Time / Häagen Dazs, Chicago, IL, USA | |
| 2002 | Signal to Noise, Location One, New York, NY, USA |
| E-motion, POST Gallery, Los Angeles, CA, USA | |
| Res Magazine Party, EyeBeam Atelier, New York, NY, USA | |
| Special Effects, Daejeon Municipal Museum of Art, Daejeon, South Korea | |
| Graphic, Curt Marcus Gallery, New York, NY, USA | |
| Whitney Biennial 2002, The Whitney Museum of American Art, New York, NY, USA | |
| The Magic of Light, The Hudson River Museum, Yonkers, NY, USA | |
| 2001 | LIGHT 2001, Krems, Austria |
| Liminal, The Space @ Media Triangle, New York, NY, USA | |
| Creative Time - Massless Medium: Explorations in Sensory Immersion, Brooklyn Anchorage, Brooklyn, New York, NY, USA | |
| Camera, Lights, Action!, Connecticut College, New London, CT, USA | |
| 2000 | Essl Collection - Contemporary Art, Vienna / Klosterneuburg, Austria |
| Yes-No, Bitola, Republic of Macedonia | |
| 1999 | Another Planet, Central Fine Arts, New York, NY, USA |
| Utopia/Distopia, Ex Teresa Arte Actual, Mexico City, Mexico | |
| Fairy-tales, Center for MetaMedia, Plasy, Czech Republic | |
| Punto Ciego ("Blind Spot"), Art & Idea, Mexico City, Mexico | |
| 1998 | Fin de siècle New York a Nantes, Hotel de la Duchesse Anne, Nantes, France |
| Modular Composite, Central Fine Arts, New York, NY, USA | |
| Open Salvo, White Box Gallery, New York, NY, USA | |
| Wish You Luck, P.S.1 Contemporary Art Center, Queens, NY, USA | |
| Impakt Festival for Audiovisual Arts, Utrecht, Netherlands | |
| 1997 | ISEA 97, Art Institute of Chicago, Chicago, IL, USA |
| Mac Classic - The Immaculate Machine, Postmasters Gallery, New York, NY, USA | |
| Fragments in Time, Clementine Gallery, New York, NY, USA | |
| T0-Public Netbase Chiller Lounge, Museums Quarter, Vienna, Austria | |
| 1996 | Balance Akte 96, Museum of Lower Austria, Vienna, Austria |
| Password: Ferdydurke, Postmasters Gallery, New York, NY, USA | |
| Out of the Dark, Elga Wimmer Gallery, New York, NY, USA | |
| 3rd New York Int. Video & New Media Festival, New York, NY, USA | |
| Ars Electronica 96, Linz, Austria | |
| Free Fall, China Town Loft, New York, NY, USA | |
| Can You Digit?, Postmasters Gallery, New York, NY, USA | |
| 1995 | Digital Salon, Visual Arts Museum, New York, NY, USA |
| Power!, Visual Arts Gallery, New York, NY, USA | |
| Bit.Movie ’95, Riccione, Italy | |
| 1994 | Cyber Queer, Anthology Film Archives, New York, NY, USA |
| Who’s Got the Body?, School of Visual Arts, New York, NY, USA | |
| 1993 | Zur Zeit, KunstHalle Krems, Krems, Austria |
| 1992 | Time Based Bar, Academy of Fine Arts, Vienna, Austria |
| 1991 | Ars Electronica 91, Linz, Austria |
| Deutsch - Cesko, Palace Metro Gallery, Prague, Czech Republic | |
| 1989 | Walztanz 60, Kunsthalle Krems, Krems, Austria |
| Bibliography (selection): | |
| 2005 | Take A Mind Excursion, Christopher Knight, Los Angeles Times (10/11/05), Los Angelese, CA |
| Erwin Redl – Häusler Contemporary, Rüdiger Heise, Applause (1/05), Munich, Germany | |
| Basic Instinct, Elle Decoration (1/05), Munich, Germany | |
| 2004 | Espace-temps expansé, Rafaël Magrou, Techniques & Architecture (12/04), Paris, France |
| Die Visite von Schlafes Bruder ("The Visit of Sleep’s Brother"), Abendzeitung (12/22/04), Munich, Germany | |
| Strukturen als Kunst ("Structures as Art"), Anne Erfle, Süddeutsche Zeitung (12/1/04), Munich, Germany | |
| Metamorphose einer Stadt ("Metamorphosis of a City"), Henriette Horny, Kurier (9/5/04), Vienna, Austria | |
| Les lumières d’Erwin, La Voix Du Nord (6/30/04), Lille, France | |
| Light Projects, Jonas Concepcion, Public Art Review (summer 04), Saint Paul, MN, USA | |
| Exit éclairé ("Enlightened Exit"), Marie Lechner, La Libération (3/27/04), Paris, France | |
| Borderline saute les frontiers des pays et des genres artistiques ("Borderline Crosses Geographical And Artistic Boundaries"), Catherine Bédarida, Le Monde (3/18/04), Paris, France | |
| Voyage au cœur de la lumière ("Journey Into The Heart of Light"), Jean-Marie Wynants, Le Soir (3/18/04), Brussels, Belgium | |
| L’expo qui en met plein la vue, Florent Moreau, La Voix Du Nord (3/12/04), Lille, France | |
| Psychology, Spencer Rathus, Wadsworth Publishing, Belmont, CA | |
| 2003 | Understanding Art, Lois Fichner-Rathus, Wadsworth Publishing, Belmont, CA |
| Digital Art, Christine Paul, Thames & Hudson World of Art, London, ISBN 0-500-20367-9 | |
| Erwin Redl - Riva Gallery, Frances Richard, Artforum (Februar 2003), New York, NY, USA | |
| 2002 | Shortlist - Erwin Redl, Solo Show Riva Gallery, The Village Voice (12/16), New York, NY, USA |
| Erwin Redl - Solo Show Riva Gallery, The New Yorker (12/16), New York, NY, USA | |
| Critics Pick - Solo Show Riva Gallery, Time Out New York (12/5-12), New York, NY, USA | |
| NYFA Quarterly, New York Foundation for the Arts, Fall 02, New York, NY, USA | |
| Space Is The Medium, Kevin Sutavee, Prophecy (issue 2, 2002), New York, NY, USA | |
| Fairy Lights, Aric Chen, DUTCH (Juli/August 2002), Amsterdam, The Netherlands | |
| Red, Whit, and Blue, Barbara MacAdam, ARTNews (Summer 2002), New York, NY, USA | |
| The Shallow End, Lance Esplund, Modern Painters (Summer 2002), London, UK | |
| Inside Art - Betting on Future Stars, Carol Vogel, New York Times (06/28) | |
| Communal Curation, Joyce Korotkin, NY Arts (June 2002), New York, NY, USA | |
| What’s Up In New York, Christian Huemer, Parnass (March/April 2002), Vienna, Austria | |
| Moving Images, Dan Bischoff, Star-Ledger (03/07), Newark, NJ | |
| Painting Exuberant Forms With a Palette of Light, Grace Glueck, New York Times (03/01), New York, NY, USA | |
| Show Turns a Spotlight on Light Itself In All Forms,VWilliam Zimmer, New York Times (02/17), New York, NY, USA | |
| Lights fantastic, Georgette Gouveia, The Journal News (02/11), White Plains, NY, USA | |
| The Magic of Light, Antiques & The Arts Weekly (01/18), Newtown, CT | |
| 2001 | new york, november 8. 2001: a conversation, Arthur C. Danto, Lawrence Rinder, Simona Vendrame, Tema Celeste (Issue 89), New York, NY, USA / Milan, Italy |
| Tour d’Autriche, Dolores Kainz, H.O.M.E. (December 01/January 02), Vienna, Austria | |
| Ambient Art, Barbara Pollack, Art in America (November 2001), New York, NY, USA | |
| Laser For Less, Michelle Megna, Daily News (08/15), New York, NY, USA | |
| Massless Medium, Roberta Smith, New York Times (07/30), New York, NY, USA | |
| Massless Medium, Kevin Pratt, Time Out New York (07/12-19), New York, NY, USA | |
| Critics’ Picks, Time Out New York (07/05-12), New York, NY, USA | |
| Anchored, Mary Magsamen, Waterfront Week (Volume 11.12, 06/14), Brooklyn, NY, USA | |
| Massless Medium, SHOUT New York (July 2001), New York, NY, USA | |
| Seizing Awareness, Lynn Sullivan, Austria Kultur (05/01), New York, NY, USA | |
| Fairy-Tales, Franklin Sirmans, Sculpture (03/01), Hamilton, New Jersey | |
| feedback:, ArtByte (02/01), New York, NY, USA | |
| 2000 | If You Can Make It There…, Florentina Welley, Diva (03/00), Vienna, Austria |
| 1999 | Punto Ciego ("Blind spot"), Yishai Jusidman, Poliester (Fall 1999), Mexico City, Mexico |
| Espectro de luz ("Spectrum of Light"), Yishai Jusidman, Reforma (05/26/99), Mexico City, Mexico | |
| Glow with the flow, Sarah Schmerler, Time Out New York (July 1999), New York, NY, USA | |
| 1998 | Not Much Luck, Dominique Nahas, Review (04/01/98), New York, NY, USA |
| Truth Is A Moving Target, Intelligent Agent (03/98), New York, NY, USA | |
| 1996 | The Breath of a Sine Wave, Heather Wagner, Austria Kultur (11/01/96), New York, NY, USA |
| Austriacos discutem movimento e dialetica ("Austrians Discuss Movement and Dialectic"), Berta Sichel, Estado de Sao Paulo (10/14/96), Sao Paulo, Brazil | |
| Körndel für die Armen in Bosnien ("Grain for the Poor in Bosnia"), Henriette Horny, Kurier (11/25/96), Vienna, Austria | |
| Aufbruch in die digitale Zukunft ("Departure Into the Digital Future"), Reiner B. Schossig, Ausschnitt (09/10/96), Hamburg, Germany | |
| Der Betrachter wird zum Partner ("The Viewer Becomes a Partner"), Gottfried Reichart, Neues Volksblatt (09/04/96), Linz, Austria | |
| Fröhliche Wissenschaft in Linz ("Cheerful Science in Linz"), Henriette Horny, Kurier (09/04/96), Vienna, Austria | |
| Ich schau Dir in den Sensor, Kleines ("I Am Looking Into Your Sensor, Sweety"), Irene Judmayer, OÖ-Nachrichten / "Upper Austrian News" (09/04/96), Linz, Austria | |
| Digital Popeye USA, China edition (07/01/96), Tokyo, Japan | |
| Can You Digit?, Digital Creativity (05/96), San Francisco, CA | |
| Are we having fun yet?, Ann Marlowe, Time Out Magazine (03/27/96), New York, NY, USA | |
| 1995 | Langsamkeit als Steigerung der Gegenwart ("Slowness as an Increase of Presence"), Henriette Horny, Interview with E. Redl, Eikon 16/17 1995, Vienna, Austria |
| Endlosschleifen ("Endless Loops"), Horst Christoph, Profil (07/17/95), Vienna, Austria | |
| Blau-Gelbe Galerie, Johanna Hofleitner, Die Presse (07/14/95), Vienna, Austria | |
| Meditation über das Lächeln ("Meditation on a Smile"), Kurier (07/06/95), Vienna, Austria | |
| Publications: | |
| 2001 | Autobiographical Notes, Gföhlerwald Kulturspiegel ("Gföhl Cultural Mirror"), Gföhl, Austria |
| 1997 | Zeit In Den Neuen Medien ("Time in New Media"), published in "Zeit Und Ewigkeit" ("Time and Eternity"), edited by Erich Splechtna and Thomas Simon, Catholic University Foundation, Vienna, ISBN 3-9500681-0-4 |
| Discography: | |
| 1992 | KOMBINAT M - "Hybrid Beat", Cuneiform Records, Silver Spring, ML, USA |
| Workshops & Lectures: | |
| 2006 | Bloomberg LLP, presentation, New York, NY |
| Bloomberg Space, panel discussion, London, UK | |
| 2005 | New York Center for Art and Media Studies / Bethel University, presentation, New York, NY |
| 2004 | University of Manitoba Architecture Department, presentation, Winnipeg, Canada |
| 2003 | Wood Street Gallery, presentation, Pittsburgh, PA, USA |
| Skidmore, Owings & Merrill Architects, presentation, New York, NY, USA | |
| 2002 | The Digital Experience, panel discussion, Artists Talk On Art, Phoenix Gallery, New York, NY, USA |
| Parsons School of Design, presentation, New York, NY, USA | |
| New York Studio Program, presentation, New York, NY, USA | |
| The Hudson River Museum, presentation, Yonkers, NY, USA | |
| 2001 | Parsons School of Design, guest critique, New York, NY, USA |
| Siggraph "Digital Sculpture", presentation, New York, NY, USA | |
| Feedback, presentation, Connecticut College, New London, CT, USA | |
| 1998 | MFA-Photography Department, presentation, School of Visual Arts, New York, NY, USA |
| 1997 | C3 Computer Center, workshop, Budapest, Hungary |
| 1996 | Can You Digit?, panel discussion, Postmasters Gallery, New York, NY, USA |
| MFA-Photography Department, presentation, School of Visual Arts, New York, NY, USA | |
| 1995 | Time in New Media, Symposium "Time", lecture, Convent of Seckau, Styria, Austria |
| 1993 | Parallel Media, Media Lecture Series, Blau-Gelbe Galerie, Vienna |
| Collections: | |
| The Whitney Museum of American Art, New York, NY, USA | |
| Museum of the State of Lower Austria, St. Pölten, Austria | |
| Elizabeth Akkerman, New York, NY, USA | |
| Art Omi Collection, Omi, NY, USA | |
| Paule Berry, New York, NY, USA | |
| Janet Cohen & Daniel Kramarsky, New York, NY, USA | |
| Susan Cohen, Baltimore, MD, USA | |
| Monroe Denton, Brooklyn, NY, USA | |
| Frances Dittmer, Aspen, CO, USA | |
| Anthony Grant, New York, NY, USA | |
| The Francis J. Greenburger Collection, New York, NY, USA | |
| James R. Hedges, IV, Naples, FL, USA | |
| Sebastian Kaempf, Brooklyn, NY, USA | |
| Michael L. Klein, Midland, TX, USA | |
| Werner H. Kramarsky, New York, NY, USA | |
| Elise MacAdam & Stephen Kramarsky, New York, NY, USA | |
| Robert Morgan, New York, NY, USA | |
| Danica Phleps, Brooklyn, NY, USA | |
| Lawrence R. Rinder, New York, NY, USA | |
| Mr. And Mrs. Paul C. Schorr, III, Lincoln, NE, USA | |
| Arne Zimmerman, New York, NY, USA | |
| And other private collections | |